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The flip, “Two People In The World,” also became one of the Era’s best-loved ballads and, for a real treat, you can see the group perform it live, acapella, on YouTube. The main side was “Tears On My Pillow,” which rose to #4 on the Hot 100. The group struck first in 1958 with one of the greatest all-time 45s which also ranks as one of the greatest two-sided singles. But, unlike most Doo Wop groups, Little Anthony & the Imperials also sold LPs, four reaching the Billboard top sellers chart when the group got its second wind in the late ‘60s. And while many Doo Wop 45s, including some by Little Anthony & the Imperials, actually were not big sellers, some of the recordings have become classics over the years. Typical of most Doo Wop Era groups, the main outlet for the recordings of Little Anthony & the Imperials was the 45.
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The two recorded and toured the world together for what must have seemed a whirlwind period, leaving us a wealth of musical treasures. Much like Cat Stevens rarely did anything musical without his sidekick Alun Davies, Croce seemed joined at the hip with guitarist Maury Muehleisen, who was by Croce’s side from 1970 until he too perished in that 1973 plane wreck. Less than 18 months later, he was taken from us in a Louisiana plane crash. Virtually unknown before the Spring of 1972, Croce suddenly became one of the biggest stars on the plant.
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“Photographs & Memories: His Greatest Hits” was released shortly after his untimely death, reaching #1 in Canada and #2 in the U.S. The final LP, “I Got A Name,” reached #2 in both countries. In Canada, “You Don’t Mess Around With Jim” and “Life and Times” topped the LP chart, the former also reaching #1 in the U.S. “Bad, Bad Leroy Brown” topped the charts in both countries as did “Time In A Bottle.” “I Got A Name” and “I’ll Have To Say I Love You In A Song” both reached the top 10 in both countries and “Operator (That’s Not The Way It Feels)” was top 20 on both sides of the border. But his home country and Canada were the locations of his main support from the time “You Don’t Mess Around With Jim” hit U.S. While Croce never clicked in the U.K., most of his hits did well in other parts of Europe. Croce seemed to have an endless supply of characters in his songs and audiences loved them. There was Rapid Roy (the stock yard boy) who always had an extra pack of cigarettes rolled up in his tee shirt sleeve… except when he was working at the car wash. But not badder than a jealous adversary, especially one in love with a Roller Derby Queen. Leroy Brown? Badder than old King Kong and meaner than a junkyard dog. The Lone Ranger? Even Tonto didn’t fool around with his mask. Just don’t tug on it…at least not while he’s wearing it. Superman? You could compliment him on his cape. There was Jim, and you know you didn’t mess around with him. By then, he had moved around the United States encountering different characters and starving artist jobs, most of which became fodder for the musical compositions that would make up his resume. This South Philly singer/songwriter was pushing 30 when he finally broke into the music business big time.